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Select your institution from the list provided, which will take you to your institution's website to sign in.Click Sign in through your institution.Shibboleth / Open Athens technology is used to provide single sign-on between your institution’s website and Oxford Academic. This authentication occurs automatically,Īnd it is not possible to sign out of an IP authenticated account.Ĭhoose this option to get remote access when outside your institution. Typically, access is provided across an institutional network to a range of IP addresses. If you are a member of an institution with an active account, you may be able to access content in the following ways: Get help with access Institutional accessĪccess to restricted content on Oxford Academic is often provided through institutional subscriptions and purchases. In concluding, the article argues for the importance of drama as the medium of Kushner's message and offers a reflection on a possible post-9/11 revision of his politics. Kushner's audacious suggestion seems to be that the actual condition of possibility of the sort of hope he envisages is an experience of hopelessness born of some sort of catastrophe.
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Such hope is meagre and indigent in comparison with other more recognisable, predominantly Christian, forms of hope. The position that comes to light places emphasis on the fundamental value of community and is characterized by a radical adherence to hope in the face of apparent hopelessness. In considering Kushner's political debt in Angels in America to three principal sources – thinkers of the Enlightenment, the socialism of Raymond Williams, and the messianic and apocalyptic political vision of Walter Benjamin – this article locates the main political currents of the play, identifying what is being criticized and what affirmed, in a way that reveals at least the outline of the political position the play may be said to endorse. This is complicated, however, by the sheer wealth of often disparate, politically-oriented ideas and positions that Kushner weaves into his drama. One is almost invited, therefore, to look for a political stance that the play might be said to promote. Political philosophy pervades Angels in America, and its author, Tony Kushner, has never hidden the fact that he is, as a writer, unashamedly engagé.